5 Creative Ways to Capture Striking Photos of Wildlife
Wildlife photography can be a deeply rewarding pursuit, but capturing images that go beyond mere documentation requires creativity and intentionality.
Words and Images by Mark Denney | September 2024
Outside of great light, a solid composition might be the single most important aspect of a great landscape image. If you were to ask one hundred landscape photographers what area of their own photography they’d like to improve upon, I bet the vast majority of them would say composition.
There’s no single magic solution to creating compelling compositions, nor is there a “quick fix” it really just takes time and a boat load of practice! We could spend hours talking about compositional techniques, but the four simple tips we’re about to discuss will surely jumpstart your progress towards creating better composed photographs.
If I had to pick one tip that’ll make the largest improvement in your compositions it would be this. When you arrive at a scene you want to capture, before you take out your camera ask yourself this, “Why do I want to take this photo? What do I like most about it?” Once you answer these two questions, fill your frame with what you love. A common issue with many compositions is when folks try to capture too much. This common mistake leads to a busy image or an image that creates visual tension for the viewer. The most powerful images are generally simple and “easy on the eyes.” You want to create images that are clearly defined and enjoyable for the viewer to look at, and filling your frame with only the components of your scene that you love is a great way to do this.
This goes hand in hand with the first tip. While you want to fill the frame with what you love, you also want to remove any distracting elements from your composition. This would include anything that creeps in around the edges of your image, like a branch or stone or anything that doesn’t add value or story to your photo. Either include the entire stone or tree or eliminate it all together but try your best to remove the half in half out items. And if it adds nothing to the scene just get rid of it. I like to keep the edges of my photos as clean as possible, because most of the time this will just distract the viewers eye from what’s most important about your image. When I’m on location composing a shot, I always zoom in and track around the entire edge of my image to ensure I don’t have any distracting elements that are going to compete for the viewers’ attention and distract them from what’s most important about my composition.
A great composition creates a clear path for the viewers eye to follow and this generally begins with strong foreground interest. Your foreground is what anchors your photo and is where you want the viewer to start their optical journey through the photographic story you’re telling. Ideally you want your foreground to flow into a mid-ground area that ultimately leads into the background of your scene. This will create layers and depth within your image and will draw the viewers eye through your entire scene, ensuring they see each component or “layer” of your photo.
This is probably the most common “rule” in photography, the rule of thirds, but it’s also the most impactful from a compositional perspective. The practice of placing key elements of your image on the intersecting points will help draw the viewers eye into your photograph by creating visual tension, and also helps you avoid placing the main subject of your photo in the center of your frame.
Many new photographers simply place the main focal point in the dead center of their composition. The problem with this is that it can create a rather uninspiring image and is generally not compelling enough to have your viewer stick around longer than just glancing at the center of your photo and moving on. This isn’t always the case however; I personally believe this rule is meant to be broken. I find that simplistic photos can often benefit from having the subject placed in the center of the composition.
When you have an image that has only one point of interest, like the image below, you may want to consider breaking the rules and place it in the dead center of your frame. (It feels good to rebel from time to time.) For the most part though, sticking to the rule of thirds and placing the main subjects of your image just off center will generally result in a more engaging composition. Becoming a better composer is something all photographers strive for, but it’s difficult, if not impossible to perfect, but by implementing the above compositional tips, you’ll be well on your way to better photography!
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