Sleeping Polar Bear on Iceberg Photo Wins Wildlife Award

Wildlife photography can be a deeply rewarding pursuit, but capturing images that go beyond mere documentation requires creativity and intentionality.

The winners of the Ocean Photographer of the Year 2024 were recently announced in London, revealing stunning images including the overall winner (above) by Rafael Fernandez Caballero, which shows a Bryde’s whale about to engulf a swarm of sardines. In Caballero’s winning image, the sardines are forming what is known as a “baitball,” which is a defensive tactic to ward off predators.

As we threaded through the Beagle Channel, I wondered if this icy continent could live up to the lofty expectations I’d formed since childhood. Growing up reading the tales of Captain Robert Falcon Scott, Roald Amundsen, and Ernest Shackleton, Antarctica became a place of myth in my mind. Would it be as awe-inspiring as those stories made it seem?

A lifetime of experience on this planet leads us to believe that a clear sky is always blue. Certainly the clear daytime sky is always some shade of blue. As day ebbs into night and our color vision fades away, the last color we see in the sky directly above us is blue; as night gives way to dawn, the first sky color we see above us is once again blue.

Those who eschew social media may not have noticed the deluge of AI-generated landscape and nature images to be found online these days. Guided by prompts provided by the human “creator” that describe what the image content and style should be, these AI-spawned images are often created with the intent of producing maximum impact, “wow-factor,” and generation of “likes and shares,” though the scenes they depict commonly depart from the realistically plausible or possible in significant ways.

There’s no getting around it: wildlife photography is a demanding genre for photography equipment. Whether photographing lions in the Serengeti, penguins in Antarctica, or even just squirrels in the backyard, capturing wildlife typically puts photographers in situations with rough shooting conditions.

Mud and invisible gas. I’m not sure there are two less photogenic things to capture in nature, but they were central characters in my recent long-term photography project documenting permafrost thaw in the Siberian and Alaskan Arctic. Permafrost is defined as soil that has been frozen for more than a year, and it can be found in a vast belt circling the Arctic.

Outside of great light, a solid composition might be the single most important aspect of a great landscape image. If you were to ask one hundred landscape photographers what area of their own photography they’d like to improve upon, I bet the vast majority of them would say composition.